金元时期,晋南汾河流域活跃着一个在佛教造像方面取得非凡成就的木雕流派,其影响力可以和出自同一地区的“朱好古画派”相媲美。和壁画一样,这一木雕流派的绝大部分作品也在民国年间流失海外。通过对佛像装脏相关墨书及碑刻材料的梳理,笔者考证出美国两家著名博物馆所收藏的两尊木雕菩萨像的出处为晋南汾河流域,进而又通过对三组来自同一地区且有明确纪年的木雕的比较,分析了“汾河木雕流派”的时代风格及其历史演变,并指出这一木雕流派为14世纪初于大地震后兴起的“朱好古画派”提供了图像和风格上的借鉴。 During the Jin and Yuan Dynasties, the Fen River in southern Jin and Jin Dynasties was active in a wooden sculpture genre that made remarkable achievements in Buddhist statues. Its influence can be compared with that of the “Zhu ancient painting school” in the same area. Like the murals, most of the works of this woodcarving genre lost overseas during the Republic of China. Through sorting out the dirty ink and inscription material, the author studies the origin of the two woodcarving Bodhisattva images collected by two famous museums in the United States as the Jinnan Fenhe River Basin, and then through to the three groups from the same area and has A clear comparison of the wood carvings of the Chronology, analyzes the style and historical evolution of the “Fenhe woodcarving school ” and points out that this woodcarving school was founded in the early 14th century after the great earthquake Provides a reference to the image and style.