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野外写生教学是高等美术教育的一种形式,是课堂教学的延伸,山水画写生是中国画教学的延伸。在每次写生前要认真分析对象、研究对象,提出相应的要求和目的,克服盲目性。遵循从易到难,由少到多,由局部到整体,逐步扩大的原则。写生中要把实景和传统技法相印证,活用传统,指导学生运用中国画的观察方法,表现方式去解决问题。一、山水写生要解决的观念问题1.学习和研究传统是进行写生的基础条件外出写生要有一定的基础准备,那就是要先学传统。学习山水画的传统就是要向古人学习,要“师学舍短”,不能求全责备。不能
Field sketching teaching is a form of higher art education, is an extension of classroom teaching, landscape painting sketching is an extension of Chinese painting teaching. Before each sketch, we should conscientiously analyze the object, the object of study, put forward the corresponding requirements and purposes, and overcome the blindness. Follow the principle that from easy to difficult, from less to more, from local to overall, and gradually expanded. In sketching, we should verify the real scenery and traditional techniques, make use of the tradition, and guide the students to use the observation methods and expressions of Chinese painting to solve the problems. First, the concept of landscape painting to solve the problem of 1 learning and research tradition is the basic conditions for sketching go out sketch must have some basic preparation, that is, we must first learn the tradition. Learning the tradition of landscape painting is to learn from the ancients, to “teachers and teachers should be short”, can not seek full blame. Can not