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清初石涛曾言:“笔墨当随时代,犹诗文风气之所转。”宏观的角度可理解为每一个时代都有着可以代表这个时代整体创作风尚和格调的艺术创作形式,如“晋尚韵、唐尚法、宋尚意、明清尚态”等。我们这个时代又应用什么词汇来概括呢?自上世纪80年代的现代书画学会到90年代的流行书风,对书法艺术的创新始终在不断进行尝试,各种书法派别或先锋的团体或者个人,遗憾的是成功者却寥寥无几。《书法报》在2016年5月第19、20期第六版刊登了王冬龄先生《“现代书法”论纲》的理论文章。文中提到“创
In the early Qing Dynasty, Shi Tao once said: ”When ink and oil are on time, the style of poetry is still moving.“ ”From a macroscopic perspective, we can understand that every era has an artistic creation form that represents the overall style and style of creation in this era, “Jin Shangyun, Tang Shang Fa, Song Shang Yi, Ming and Qing Dynasty still” and so on. What is the vocabulary we use in this era? From the modern calligraphy and painting society in the 1980s to the popular calligraphy style in the 90s, the innovation of calligraphy art has been constantly tried. The groups or individuals of various calligraphy factions or vanguards, Unfortunately, few winners. The Calligraphy Journal published the theoretical articles of Wang Dongling’s Modern Calligraphy and An Outline in the 19th and 20th issues of May, Mentioned in the text "Chong