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“三深入”与“三不写”赵树理的作品如《小二黑结婚》、《李有才板话》、《三里湾》等小说,之所以写得如此成功,受到广大读者的欢迎,是与他每次下乡都坚持“三深入”分不开的。他的“三深入”是:一要深入饲养棚,二要深入田间去,三要深入到炕头上。有了这三个深入,便能与老汉们、青壮年们,以及老妈妈和孩子们相处一起,了解他们,熟悉他们,与他们同甘苦、共哀喜、同呼吸、共脉搏,写出他们的活动、思想和心理来。年逾古稀的当代美学专家王朝闻同志:则坚持“三不写”,即:一、“没有调查研究,不写”;二、“没有自己的见地,不写”;三、
“Three depths” and “Three not to write” Zhao Shuli’s works such as “Xiao Er Hei Black Marriage”, “Li Youcai Diao Hua” and “San Li Wan” and other novels have been so successful and welcomed by readers. Every time the countryside are “three in-depth” inseparable. His “three in-depth” is: one must go deep into the shed, two to go deep into the field, three to go deep into the kang. With these three in-depths, we can get to know them, get acquainted with them, get along with them, grieve, breathe and pulse with the old men, young adults, mums and children The activities, thoughts and psychology come. Comrade Wang Zhaowen, a contemporary aesthetic expert who is over seventy years of age, insists on “three novels”, namely, one: “there is no investigation or research and no writing”; second, “there is no opinion of one’s own and no one writes”