看惯了用新的技术手段和形式语言编织成的当代艺术作品,有时不免让人停留在对于光鲜表象的啧啧称奇中而迷失了内心中最初渴望的感动。当装置行为、新媒体等日有的艺术形式逐渐褪去了最初用来代言前卫与实验性质的简单分类之后,当外在的互动性在许多展览中演变成艺术家对于观众的另一种恩 Seeing the contemporary works of art woven with new technical means and formal languages ​​can sometimes inevitably leave people alone amazed at the glitzy appearance and lose their initial inner desire. When the forms of art, such as installation, new media, gradually fade away from the simple classification originally used to represent avant-garde and experimental nature, when external interaction evolves in many exhibitions into another kind of artist’s grace toward the audience