缤纷多彩的南方少数民族服装的装饰纹样差不多和服装自身同样古老.在长期的历史发展中,各民族以绣、印、染、绘、织、刺等各种手法创造了或古朴纯正、或繁缛华丽、或开合自如、或疏密有致、或典雅精致、或色彩斑斓的纹样世界.纹样所蕴涵的历史和文化的内容自个待言,我们不仅可以从中体味到世俗生活的魁力,亦可感到来自于神异世界的某种力量.而诗意的幻景,造型的变换,抽象世界的节奏韵律,色彩配置的明快流畅,更使我们感受到了一种审美的愉悦和自由.那么,服装纹样是通过一种什么样的构成规律来达到这样的审美境界的呢?在南方各少数民族服装的纹饰造型中,抽象造型也许是最接近他们审美理想的一种造型.在这里,所有的观念制约被置于次要地位,许多禁忌在这里解体.各民族创造者或把来自各个领域中的原型整合为抽象造型,或在对象上直接呈现出各种抽象结构.在这里,秩序、平衡、对称、和谐、匀净、疏密、对比、变化便是一切.其构成和纹样样式是难 In the long-term historical development, ethnic groups have created simple or authentic styles with various techniques such as embroidery, printing, dyeing, painting, weaving and stitching Gorgeous, or open freely, or sparsely populated, or elegant and refined, or colorful patterns of the world.Described by the history and cultural content of the pattern to be self-evident, we can not only appreciate the charm of secular life, but also Can feel a certain force from the god-like world, but the poetic illusion, the transformation of style, rhythm of the abstract world rhythm, the color configuration of the crisp and smooth, but also make us feel an aesthetic pleasure and freedom.So, the clothing pattern is Through a kind of composition of the law to achieve such an aesthetic realm? In the southern costumes of ethnic minority costumes, abstract modeling may be the closest to their aesthetic ideal of a shape where all the ideological constraints are At a secondary level, many of the taboos disintegrate here, and ethnic creators either integrate prototypes from various fields into abstract shapes or directly on objects Showing a variety of abstract structures, where order, balance, symmetry, harmony, evenness, density, contrast, change is everything.Its composition and pattern style is difficult