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编者:七年中阿斗完成了两部作品,《沙马拉达》(2005-2007)和《阿斗》(2009-2012),都引起关注。如果说前一部主要是通过拍摄凉山彝族寻找自己的童年情结、偏重纪实性的话,后一部更多的传递了当前他对摄影与情感、摄影与生命的思考,也从更多的侧面(比如历史、宗教、时空关系以及身体的使用)经营画面的形态;读起来的感觉,前一部作品中阿斗还是个恋家的孩子,后一部中的阿斗出落成了离乡的青年。当然,两部作品的精神联系仍然清晰,那就是一个摄影人的“怀旧”
Editor: Two years ago, Ah Dou completed two works, “Shamalada” (2005-2007) and “Ah Dou” (2009-2012), all cause for concern. If the former focuses on the acquisition of the Liangshan Yi ethnic group for its childhood complexities and the emphasis on documentary facts, the latter will convey his current thinking on photography and emotion, photography and life more from the perspective of Such as history, religion, space-time relations, and the use of the body.) The form of the management screen; the feeling of reading, the children in the previous work, Ah Dou, or a loving family, Of course, the spiritual connection between the two works is still clear, that is, a photographer’s “nostalgia”