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本文通过解读罗兰·巴特《作者之死》的文学批评理论,对其排除作者、开放文本意义的观点提出质疑,如此则导致作者创作、读者阅读目的的迷失,以及阐释文本的迷惘,本文提出作者隐含身份的存在,以及作者意向对于读者的作用及文本之意的重要性。
This dissertation, by analyzing the literary criticism of Roland Barthes “The Death of the Author”, puts forward some doubts about his point of excluding the author and the meaning of the open text, which leads to the creation of the author, the loss of readers’ reading purpose, and the confusion of the text. The existence of implied identity, the importance of author’s intention to the reader and the meaning of the text.