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该文对文革时期诞生的小提琴独奏曲《黎家代表上北京》的创作背景做了简要的回顾,对该作品的曲式结构进行了简要的分析,对该作品演奏的正确把握所需要注意的技术问题进行了梳理。
This article briefly reviews the creative background of violin solo violin solo “Li Jia on Beijing” during the Cultural Revolution, and makes a brief analysis of the music structure of the violin solo. It is necessary to pay attention to the correct grasping of the performance of the violin Technical problems have been sorted out.