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当我踏上陕北黄土高原的时候正是金秋季节,错落于山崖间的排排新窑,显示出改革开放中的山乡新气象。那窑洞窗格上红艳艳的剪纸,在深秋的金阳下的如火如荼,使我眼前一亮,远途的疲倦顿然消释了。 我有幸看到了榆林地区米脂县正在举行的《首届剪纸艺术展览会”,这是十多年来头一次。展出的叁佰余件是近一年来搜集到的精品。这个县巧姑娘媳妇们是有名的,所谓“清涧的石板瓦窑堡的炭,米脂的婆姨绥德的汉”。正是这支妇女美术大军,其创作散发出山野泥土气息,尚能透视出古朴厚重
When I embarked on the Loess Plateau in Shaanxi Province, it was the golden autumn season, with the new kilns scattered on the cliffs showing the new atmosphere of the mountain town during the reform and opening up. That red curtain on the cave-shaped paper-cut, in full swing in the autumn of the Jin Yang, so I shines, long-range tired suddenly relieved. I was fortunate enough to see the first paper-cut art exhibition held by Mizhi County in Yulin area for the first time in more than a decade, with more than 300 pieces on display, collected in the past year, and the county’s daughter-in-law Is famous, the so-called “Qingjian stone tile Wagao charcoal, rice fat, the aunt Suide Han.” It is this women’s art army, its creation exudes a mountain soil atmosphere, still able to see the ancient heavy