“直置”原是中国古代诗学的一个重要范畴,指诗歌创作自然清新,表现真实情感。在理论上,六朝时著名文学批评家刘勰在《文心雕龙》中首先提出“直置”的范畴,沈约、钟嵘在论诗时也表达了类似观点;降及唐代,“直置”则不仅被正式列为诗体之一,更成为诗歌创作标准与鉴赏原则。在创作上,与审美理论相对应,中国古诗尤其是唐诗涌现出许多追求和展现“直置”美的优秀作品,在古诗王国中闪烁着别样风采。 “Straight ” was originally an important category of ancient Chinese poetics, which refers to the natural freshness of poetry creation and the expression of true emotion. In theory, Liu Xie, a famous literary critic in the Six Dynasties, first proposed the category of “directness” in Wen Xin Diao Long. Shen Yue and Zhong Rong expressed similar views when discussing poetry. In the Tang Dynasty, “Direct ” is not only officially listed as one of the poetic, but also become poetry standards and appreciation of the principles. In terms of creation, corresponding to the aesthetic theory, Chinese ancient poetry, especially the Tang poetry, has shown many outstanding works that pursue and show the beauty of “straight ” beauty, sparkling a distinctive style in ancient poetry kingdoms.