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这十几年,当代艺术从兴起到沉寂,从出走到寻求自我道路,官方美术一方面反应着中国社会思想观念的不断变化,一方面在树立艺术文化标杆上做出了一些努力。而无论当代艺术还是官方美术,创新性和多元性都会是每一个时代探讨的主题。20世纪80年代末到90年代末,是中国美术史上最不平凡的十几年。这段时期,中国政治经济改革重心从乡村步入都市,再从都市逐步推进市场化、现代化,’85美术新潮给文化界注入了新的活力,“89现代大展”成为中国现代艺术蓬勃运动的总结和检
During these ten years, from the rise of art to the silence of contemporary art, from the departure to the path of seeking for oneself, official art reflects on the one hand the ever-changing concept of social thought in China and on the other hand, it makes some efforts in establishing the benchmark of art and culture. Regardless of contemporary art or official art, innovation and diversity will be the themes explored in each era. From the late 1980s to the late 1990s, it was the most extraordinary decade in Chinese art history. During this period, the political and economic reform in China stepped into the urban center from the countryside and gradually marketized and modernized itself from the metropolis. The new trend of ’85 art infused new vitality into the cultural circle. 89 Modern Exhibition has become a symbol of modern Chinese art Summary of vigorous exercise and seized