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自先秦以来,随着道家哲学在艺术领域中的逐渐拓展和不断延伸,“意境”逐渐成为中国艺术创作中永恒的追求。同时,“意境”理论的产生正是以道家美学思想,特别是以庄子美学思想作为主要来源的,从而奠定了在中国美学思想史上重要的理论地位。从“超以象外”入手研究“意境”的核心问题,会使人们在艺术实践的过程中体会到由“意境”带来的“至乐至美”。
Since the pre-Qin period, with the gradual expansion and extension of Taoist philosophy in the field of art, “Artistic conception ” has gradually become the eternal pursuit in Chinese artistic creation. At the same time, “mood ” theory is precisely the birth of Taoist aesthetic thought, especially Zhuangzi aesthetic thought as the main source, thus laying an important theoretical position in the history of Chinese aesthetic thoughts. Starting from the research on the core issue of “artistic conception” from “super extrachromosophy ” will make people feel the “to the most beautiful ” brought by “artistic conception ” in the process of artistic practice.