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这是一张在各个媒体年度照片、国际性新闻摄影比赛中频频得到认可的作品。获奖的秘籍仿佛异常简单:在一年最大的灾难中拍出让人印象深刻的照片。人们已经习惯通过新闻来了解身外的世界。这么做有天生的缺陷。新闻不仅喜新厌旧,还偏爱坏消息。远处的灾难和离奇更适于消费,收获名利。由此产生一个问题,如果只停留于展现灾难与突发带来的感官刺激,这个丰富的世界会不会被突发事件的雾霾所蒙蔽?这张获奖照片让人印象深刻,不是因为赤裸裸的直观再现。恰恰相反,是在于对灾难做出的诗化表现。灾难现
This is a piece of work frequently recognized in various media photos and international photojournalism contests. The winning cheats seem simple: make impressive photos in the biggest disaster of the year. People are used to getting to know the world outside of the news through news. There is a natural defect in doing this. News is not only annoying, but also bad news. The distant disaster and bizarre more suitable for consumption, gain fame and fortune. The question arises: will this rich world be blinded by the haze of emergencies if only to stay alive with the sensationalism of disasters and emergencies? This winning photo was impressive not because it was naked Intuitive reproduction. On the contrary, it is the poetic expression of the disaster. Disaster now