在上个世纪末的改革开放的形势下,天津美院中国画专业成长起来一批令画界瞩目的青年同志,他们的作品具有强烈的个性品格和视觉冲击力,也有着鲜明的时代风格。他们中有的以深刻的反思精神回归传统,重新发现其新的价值,唤起传统的新的生命力。有的以主题创作为起点,沿着写实主义作风逐步走向更加自我化的纯艺术的道路。有的以中国的笔墨精神表现现代都市人紧张、无奈、调侃、自嘲的生存状态,被称作水墨表现派。也有的对中国书法笔线结构之形式美加以解构与重组,走向表现原始抽象精神的现代水 In the situation of reform and opening up at the end of the last century, a group of young comrades who paid attention to the painting circles grew up in the Chinese Academy of Fine Arts in Tianjin Academy of Fine Arts. Their works have a strong personality and visual impact as well as a distinctly contemporary style. Some of them returned to their traditions with profound reflection, rediscovered their new values ​​and aroused traditional new vitality. Some take the theme creation as a starting point, and follow the realistic style and gradually move toward a more self-actualizing pure art road. Some of them show the state of tension, helplessness, ridicule and self-deprecating of contemporary urban people with the spirit of Chinese ink and brush. They are called the ink expressionist school. Others deconstruct and reorganize the formal beauty of the Chinese calligraphy and pen line structure toward modern water that represents the original abstract spirit