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在中国当代文学史上,刘震云可谓是一位值得期待的优秀作家。不管是他的“新写实”小说,还是“官场系列”和“故乡系列”小说,作品中的批判锋芒、思想力量、文化底蕴,都呈现出厚重的历史质感。比如,在《温故一九四二》《一腔废话》《一句顶一万句》等小说中,不仅具有世俗化倾向,而且还蕴含着宗教化色彩。可以说,刘震云在讲述“中国故事”之时,始终以宗教性眼光思考着“中国经验”的世俗化特征,这分明构成了刘震云小说创作的重要主题。
In the history of Chinese contemporary literature, Liu Zhenyun can be described as an outstanding writer worth looking forward to. Whether it is his “New Realism ” novels, or “official series ” and “hometown series ” novels, the critical edge, ideological strength, cultural heritage in the works, showing a heavy historical texture. For example, in the novels like “Wenxu 1942”, “One Talking Nonsense” and “One Sentence with Ten Sentences”, it not only has the secularization tendency, but also contains the religious color. It can be said that when Liu Zhenyun tells the story of “China”, he always contemplates the secularization features of “Chinese experience” with religious eyes, which clearly constitutes the important theme of Liu Zhenyun’s novels.