本文从排比纪年资料入手,提出宋越窑青瓷的分期及其特点,同时将一些著名的传世宋代越窑名品归入不同时期。文章以各期特点为依据,对照发掘报告,对慈溪上林湖寺龙口窑址宁代地层进行重新认识,认为一部分地层的时代可以适当提前。文章还运用统计方法分别对宋代纪年墓和南方部分地区宋代纪年墓出土的瓷器进行分类统计分析,并且从中得出北宋中期是青瓷走向衰落的分水岭之结论。文章认为,从北宋中期开始,越窑风格逐渐向龙泉窑靠拢,北宋晚期越窑产品已经可以归入“龙泉窑系”。至於北宋末南宋初上林湖一带生产与汝窑、官窑近似的青瓷,目前尚无法确认它的性质,但是无论如何都与传统越窑没有关系。 This article starts with the chronological data and puts forward the staging and characteristics of the celadon cements in the Song Dynasty. At the same time, some of the famous celebrities handed over to the Song Dynasty are included in different periods. Based on the characteristics of each period, the article reconsider excavation report and reconsider Ningde strata of Longkou kiln site of Shanglinhu Temple in Cixi, and think that the age of some strata may be advanced in advance. The article also uses statistical methods to separately classify and analyze the porcelain unearthed from the Song dynasty tomb and the Song dynasty tombs in the southern part of the country, and draws the conclusion that the mid-Northern Song dynasty is the watershed of celadon declination. The article believes that from the middle of the Northern Song Dynasty, Yue Kiln style gradually move closer to the Longquan kiln, the late Northern Song Dynasty Yue kiln products have been classified as “Longquan kiln system.” As for the Northern Song Dynasty at the beginning of the Southern Song Dynasty Shanglin Lake production and Ru kiln, kiln-like celadon, it is not yet confirmed its nature, but in any case with the traditional Yue kiln has nothing to do.