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在李重华的《贞一斋诗说》中,存在着以“意”论诗的现象。在论诗答问三则中他提出“意立而象与音随之”的观点,其“五长”说实质上都为“意”的不同表征方式,并辅以诗谈杂录批评历代诗人以强调诗“意”的要求。他本于儒家经学六义的论诗原则体现出时人论诗的学问化倾向,同时,李氏以“意”为首提出的理论核心兼及格调与性灵说,视角新颖。
In Li Chonghua’s “Zhen Yi Zhai Shi Shuo”, there exists the phenomenon of “meaning” on poetry. In the three poems about question and answer, he put forward the view that “the meaning and the image and the sound follow”. The “five longs” are all essentially different representations of “meaning ”, supplemented by Poetic Tantra Criticizes Ancient Poets to Emphasize the Requirement of Poem “Yi”. His theory of poetic poetry in Confucian classics and Confucianism shows the tendency of the poets in the study of Confucian classics. At the same time, Li’s theoretical core and style and spirit proposed by “meaning ” have a new perspective.