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1991年8月的一个夏天,一个忙碌的中午,在我的画室里出现了一位率真、英俊、带有点胆怯的年轻人,他就是我的挚友李岩。他是一个地地道道的工科生,但他在入厂实习之余常偷跑到我的画室学习绘画,足见他对绘画的热忱。李岩曾旅居国外,在国外极大的生活压力下,他仍然笔耕不辍,画出了很多尚有个性的工笔秀作,而且一埋头就是20多年。到现在我不得不认为,他才是纯正的艺术者。虽然我和他相差10岁,都有各自的人生路,但在艺术道路的取舍与对话上以及对艺术真谛的理解和认识上,竟然异曲相合,无不碰撞出异彩的火花,愉悦了
On a busy noon in a summer of August 1991, a real, handsome and timid young man appeared in my studio. He is my best friend, Li Yan. He is an undergraduate engineering student, but often he went to my studio to study painting while he was working in the factory, showing his enthusiasm for painting. Li Yan was living abroad. Under the great pressure of living abroad, he still penned a lot of works and created a number of pen-and-eye shows with his own personality. Now I have to think that he is a pure artist. Although I and his difference of 10 years old, have their own way of life, but in the art of choice and dialogue on the road and the true meaning of understanding and understanding of the art, even alien mixed, all bursts of collision sparks, delightful