论文部分内容阅读
锐舞文化涉及面广泛,影响深远。要在短短篇幅中叙说明白,几乎不可能,它的起源,与之相关的音乐类型的发展,与历代青年亚文化的关系,服饰,毒品,社会学意义,其所追求的理念,等等,不是三言两语能说清楚的。国外及我国的香港和台湾,在锐舞发展顶峰时期,关注当下的社会学家们纷纷撰文立说,出过很多相关书籍。而在锐舞文化“殖民”失败的中国,几个流行文化界的弄潮儿也写过几篇说明性文章,其他就是媒体上一些介绍,但与前者相比,都不深入,皮毛而已。美女作家棉棉曾连同几个法国DJ试图在中国推广过锐舞,就目前情况看,只能说是死水微澜。而所谓中国特色的锐舞,迪斯科罢了,和文化扯不上什么关系。这篇“采样拼贴”的文章,只能算浮光掠影。当作抛砖引玉吧。
Rui Wu culture involves a wide range of far-reaching impact. It is almost impossible to explain narratives in short passages, its origin, the development of musical genres associated with it, its relations with the young subcultures of ancient times, the costumes, the narcotics, the sociological significance, the ideas it pursues, and so forth Not a few words to be clear. Overseas and Hong Kong and Taiwan of our country, at the peak period of rave development, the sociologists who pay attention to the present have written articles and published many related books. In RuiDu culture “colonial ” failed China, several popular culture tide also wrote a few descriptive articles, the other is the media some introduction, but compared with the former, are not in-depth, fur only. The beauty writer Mian Mian, together with several French DJs, tried to promote rave dance in China. Judging from the current situation, it can only be described as a mere scandal. The so-called Chinese rave dance, disco Bale, nothing to do with the culture. This “sample collage ” article, can only be considered a glimpse of the skyscape. As a guide to it.