论文部分内容阅读
针对当代中国画坛的实际情况,我作过很多思考。三年前,我虽写过《该骂娘.还是该欢呼》——当代中国画发展状态的思考的文章,两年前,我提出新世纪的中国画发展必将在以“多元气象(即个性气象)”为核心、“正大气象”为主导、“中国气象”为立足点、“现代气象”为大趋势的框架内发展。去年,在“江苏当代国画优秀作品展”上,我又提出了中国画已经由传统型向现代型转换的预言,为画界所关注。今年初我在江苏美术工作会议上,作了《“多元与散乱”究竟意味着什么》的发言,并将在《江苏画刊》发表。这是我在认真学习了党的十六大文件精神之后关于当代中国画发展趋势的再思考。我们现在举办
In view of the actual situation of contemporary Chinese painting, I made a lot of thinking. Three years ago, though I wrote “The Bastard or the Cheer” - an article on contemplating the development of contemporary Chinese painting, two years ago I proposed that the development of Chinese painting in the new century is bound to take place under the theme of “pluralistic weather (ie, individual weather) ”As the core,“ ascended the throne ”,“ China’s meteorology ”as the foothold, and“ modern weather ”as the general trend of the development. Last year, on the exhibition of outstanding works of contemporary Chinese painting in Jiangsu, I again put forward the prophecy that the Chinese painting has been transformed from the traditional type to the modern one, paying close attention to the painting circles. Earlier this year, at the Jiangsu Art Work Conference, I made a speech entitled “What is Diversity and Disorder?” And will be published in the Jiangsu Pictorial. This is a rethinking of the development trend of contemporary Chinese painting after I seriously studied the spirit of the 16th National Congress of the Communist Party of Chinese. We are holding now