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在俄罗斯文学史上,诗歌与绘画的彼此渗透和相互影响构成了文学的一大特征。在17世纪至今的不同阶段中,俄罗斯诗人将艺术语言引入文学创作,借助图形、字体或当代艺术样式构建诗作,尝试美学实验,极大地丰富了诗歌的外延和内涵。其中图案诗将诗歌内容或主题化为具体的图像,体现出具象美学特征;未来主义诗人的创作则具有立体未来主义及原始主义美学特征;而当代诗人将诗歌同行为艺术、装置艺术、表演艺术等当代艺术样式结合在一起,赋予作品以后现代主义美学特征。
In the history of Russian literature, the mutual infiltration and interaction between poetry and painting constitute a major feature of literature. In different stages from the 17th century to the present, Russian poets introduced the artistic language into literary creation, constructed their poems with figures, fonts or contemporary art styles and tried aesthetics experiments, greatly enriching the extension and connotation of poetry. Among them, the pattern poetry changes the content or theme of poetry into concrete images, which embodies the aesthetic features of the images. The creation of futurist poets has three-dimensional futurism and primitive aesthetic features. The contemporary poets associate poetry with art, installation art and performing arts And other contemporary art styles together, giving the post-modernist aesthetic features.