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在分析结构主义、文化符号科学视域下的戏剧审美的基础上,笔者提出“戏剧审美结构主义”这一概念,给出了“戏剧审美结构主义”的定义。笔者认为这不仅对于深化研究中国新时期戏剧艺术提供了一种新的方法,而且也打破了传统的戏剧本体论框架,拓宽了戏剧研究的视野。
On the basis of analyzing the aesthetics of drama under the framework of structuralism and cultural symbolic science, the author proposes the concept of “dramatic aesthetic structuralism” and gives the definition of “dramatic aesthetic structuralism.” The author believes that this not only provides a new method for deepening the study of drama art in the new era of China, but also breaks the traditional theatrical ontology framework and broadens the horizons of drama research.