写剧本近三十年,有一些追问一直萦绕心中,说出来,期待和大家一起讨论。第一个问题:——为什么中国戏剧发展到今天,一直缺少曹禺这种档次的大师?为什么迄今为止都没有人能超越曹禺?难以超越的原因何在?初学写戏,第一个老师便是《曹禺剧作选》。在我看来,曹禺是一个奇迹,他二十多岁便进入创作的井喷期,《雷雨》、《日出》、《北京人》、《原野》、《家》力作迭出。他的横空出世结束了话剧在中国的启蒙期,其作品从内容到形式均具有相当高的艺术水准,开掘人性之深入,表现那个时 Write the script for nearly three decades, there are some questions have been haunting, say it, and look forward to discussing with everyone. The first question: - Why the Chinese drama has developed to this day, has been the master of this grade Cao Yu? Why so far no one can surpass Cao Yu? Hard to go beyond the reasons? Beginning to write a drama, the first teacher is “ Cao Yu play selection. ” In my opinion, Cao Yu is a miracle. In his twenties, he entered the blowout period of creation. The thunderstorm, sunrise, beijing, wilderness, and home fields have lapsed. He turned out to the end of the stage drama in China’s Enlightenment period, his work from the content to the form has a very high artistic standards, digging humanity, performance that time