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展览的形式与内容永远相伴而生。构思展陈形式之前,我们需要仔细阅读背景材料,熟悉每一件展品。弘仁的一幅山水册页引起我的注意,“画竹林幽亭。平坡上画敞轩一亭,翠竹环绕,又画梧桐枯树各一,颇类云林笔下的清寒世界。”画后有郑旼题七绝一首:“残山剩水有知音,断墨枯毫着意深。已见人珍共拱璧,没从遗
The form and content of the exhibition will always come together. Before conceiving the exhibition form, we need to carefully read the background material, familiar with each piece of exhibits. A landscape album of Hongren aroused my attention, ”Painting bamboo grove Pavilion.“ Ping Pok draw open Hin Pavilion, Tsui Chuk surrounded, but also painted one dead tree, quite similar to the world of Yunlin’s cold world. ” There are Zheng Qiu after painting a Qijue a song: "Residual mountain water has a knowledgeable,