在油画中色彩是重要的语言,既要求能妙肖自然,又要求能表现审美的情感。人类对于色彩的认识与掌握,从低级到高级,从简单到复杂,从现象到规律,从远古至今,大约已有数万年的历史。西方油画的发展过程从“褐色油画”到印象派绘画,也是从“固有色”到“条件色”的历程。物象的固有色与条件色都是客观存在的,又都是合乎规律性的,为什么在人们的视觉中却出现两种不同的结论呢?并且在艺术作品中也呈现两种不同的体现呢?我们应该怎样更好的掌握这些条件色的规律更好的运用于绘画之中呢?都是本文想探讨的关键。 Color is an important language in oil painting. It requires both natural and aesthetic feeling. Human understanding and mastery of color, from low to high, from simple to complex, from the phenomenon to the law, from ancient times, about tens of thousands of years of history. The development of Western oil painting from “brown painting ” to the impressionist painting, but also from “inherent color ” to “conditional color ” course. The natural color and the conditional color of the object are both objective and objective. Why do two different conclusions emerge in people’s vision? And two different representations in the work of art? How should we better grasp the color of the law of these conditions better applied to painting it? Are the key to explore this article.