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道释画作为中国传统文化组成部分的绘画艺术,受佛教的影响非常大,根据佛教中国化进程的不同阶段,道释画最初以印度传入的佛画为样本,后与中国绘画融合,历经东汉、魏晋南北朝、隋,至唐代达到鼎盛。文章以史书和文献记载,以传统道释画为载体,研究了道释画在不同时期对社会、宗教以及绘画艺术的促进与积极影响作用,阐述了对道释画的理解与认识。
According to the different stages of the process of the process of Chinese Buddhism, Tao Tu-sheng’s paintings, which are part of traditional Chinese culture, are greatly influenced by Buddhism. Based on the Buddhist paintings introduced from India, Tao Tu-sheng was fused with Chinese painting and after that, Eastern Han Dynasty, Wei, Jin and Northern and Southern Dynasties, Sui, to the Tang Dynasty reached its peak. Taking historical records and literature records as examples, the article studies the promotion and positive influence of Taoism and painting on social, religious and painting art in different periods based on the traditional Taoist and portrayal paintings, and expounds the understanding and understanding of Taoism and painting.