自中国古典舞诞生以来,悠久深厚的传统文化一直是滋养中国古典舞不断成长的重要资源。其中,木兰替父从军的故事就一再被改编。自1988年陈维亚编导、获第二届全国“桃李杯”舞蹈比赛优秀剧目创作奖的古典舞《木兰归》伊始,到杨云涛编导、香港舞蹈团出演的民族舞剧《花木兰》,再到近期由周莉亚、韩真编导,宁波市演艺集团与中央歌剧院、武汉市黄陂区人民政府共同制作出品的大型民族舞剧《花木兰》……女扮男装、替父从军的花木兰在不同时代、不同文化语境下,被不同的创作者改编和演绎着。笔者以周莉亚、韩真编创的舞剧 Since the birth of Chinese classical dance, a long and profound traditional culture has always been an important resource for nourishing the growth of Chinese classical dance. Among them, Mulan for his father’s story of the army has been adapted. Since the beginning of the Mulan Return of the classical dance “The Mulan Return” won by the awarding of the 2nd National “Tao Li Cup” Dance Competition in 1988, director Yang Wantao, director of the Hong Kong Dance Company, performed the national dance drama Mulan, Recently, Zhou Liya and Han Zhen, director of Ningbo Performing Arts Group and the Central Opera House, Wuhan Huangpi District People’s Government jointly produced the produced large-scale national ballet drama “Mulan” ... ... Disguised as men, the father of the Army Mulan in different times, In different cultural contexts, adapted and interpreted by different creators. The author to Zhou Liya, Han Zhen created ballet