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尘世间总有许多无常,比如天灾。而游寄其间的芸芸众生,在无妄之灾的突袭下,要求取生存,除运气之外,要看你的应变能力如何了。上图这两株榕树,自幼附生于岩石之上,本可无忧度日。但遭遇不可抗拒之力量突袭,致使赖以依附的支柱崩溃了;借以输送给养的根系断折了;原来雄踞的姿态亦不得不改为偃卧。然而,这两株榕树并没有因遭灾而消沉,凭借自身旺盛的生命力和顽强的斗志,自力更生,寻找新的落脚点,稳扎根基,适应环境的变化,随遇而安。人穷志不短,身残意愈坚。观罢斯景,不由令人产生许多的联想和启示……该作品是创作者自身生活体验的写照。作者是位下岗工人,但他没有因此而消沉,全身心投入于盆景艺术的探索、研究,创作了大量造型优美,意蕴深邃的榕树附石盆景。通过奋斗、拼搏,在人生道路上开拓出一片广阔的前景,充分体现了生命的能量。
There are always many impermanence earthly things, such as natural disasters. And sent to the mortal beings in the meantime, in the calamity of the surprise raid, asking for survival, in addition to luck, depends on your resilience how. The two banyan tree on the map, since childhood attached to the rocks above, you can worry-free day. But suffered an irresistible force raid, resulting in the collapse of the pillars on which it depends; the root system thus delivered to support has broken off; the original dominating posture has to be changed to lying down. However, the two banyan trees did not suffer from disasters. With their own vitality and indomitable fighting spirit, the two banyan trees find their own ground to find a new foothold, stabilize their roots and adapt to the changes of the environment, and are comfortable with the situation. Poor people are not short, body more stubborn. Viewpoint scene, could not help but produce a lot of associations and enlightenment ...... The work is a portrayal of creators own life experience. The author is a laid-off worker, but he did not depression, wholeheartedly devoted himself to the exploration of bonsai art, research, creation of a large number of beautiful, profound Banyan bonsai. Through struggle and hard work, we have broadened our prospects in life and fully embodied the energy of life.