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提到声音艺术的总绕不开一个人——约翰·凯奇(John Cage),这个在1912年生于—个英国移民家庭的美国人,到1992年去世之前,几乎一生都在和声音打交道。约翰·凯奇的主要贡献是将音乐从人的主观性中解放出来,从而向“先验的”或者“虚拟的”音乐领域敞开,凯奇曾说:“一个作曲家,放弃控制声音,将音乐清除出大脑,准备好去发现释放声音的方法,让声音作为它们自己而不是作为人造理论或者人类情感的表达。”从上世纪30年代末开始,约翰·凯奇首将探索的突破口放在音色和结构的突然性改变上,并很快超越了传统音乐结构(由音高与和声建立)的限制,开始宣扬一种利用任何声音创作的“音乐”。这个时期凯奇探索声音可能性的
Mentioning the art of sound altogether can not leave anyone alone - John Cage, an American born in 1912 to a British immigrant family who spent almost his entire life dealing with voices until his death in 1992. John Cage’s main contribution is to liberate music from the subjectivity of man and open it up to the field of “transcendental” or “virtual” music. Cage once said: “A composer, Abandon the control sound, clear the music out of the brain, and be prepared to find ways of releasing the sound and let the sound act as their own rather than as an expression of artificial theory or human emotion. ”“ Since the late 1930s, Put the exploratory breakthrough on sudden changes in tone and structure and quickly go beyond the limits of traditional music structures built from pitch and harmonies to begin promoting a ”music" that is created with any sound. Cage this time to explore the possibility of sound