书画的复制与作伪在中国书画史上有千余年的记录,并常被混同而论。其实二者意义泾渭分明,由于动机目的不同,技法手段亦各有偏重。复制在绘画史上占有极其重要的地位。在没有照像、印刷、电脑等科技手段的古代,用人手复制副本则是保存先贤遗迹,延续民族文化,扩大传播手段的最佳方法。古代复制书画基本有三种方法,即摹、临、拓。摹:古时常用模、橅二字,即效法之意, The reproduction and falsification of calligraphy and painting have more than a thousand years of records in the history of Chinese calligraphy and painting and are often confused. In fact, the two are quite different in their meanings. Due to their different motives, techniques and means also have their own emphasis. Copy in the history of painting occupies an extremely important position. In the ancient days when there were no technical means of photography, printing, computers, etc., copying copies by hand was the best way to preserve the relics of the sages, extend the national culture and expand the means of communication. There are three basic methods of ancient copy painting, that is, copying, temporary, extension. G copy: ancient times commonly used model, 橅 word, that means the meaning,