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从本质上来说,电影是一种潜藏着意识形态倾向的视觉神话,是一种具有超越品格的世俗神话。英雄/平民、历史/传奇、青春/成长、爱情/梦幻也许还不能涵盖世纪之交中国电影的全部神话主题,重构神话只是世纪之交中国电影文化的特征及其走向的一种主要表现。
In essence, the film is a kind of visual myth lurking ideological tendency, and it is a kind of secular myth beyond character. Heroes / civilians, history / legends, youth / growth, love / fantasy may not yet cover all the mythological themes of Chinese cinema at the turn of the century, and reconstructing myths is but one of the major manifestations of the character and direction of Chinese film culture at the turn of the century.