泥泥狗是河南淮阳太昊陵“人祖庙会”上传承已久的黑底彩绘泥塑,其造型、色彩、纹饰承载着原初先民图腾崇拜、祖先崇拜和生殖崇拜的诸多表征,具有提醒、告诫等“纪念碑性”的功能。本文通过分析太昊陵、人祖庙会与泥泥狗的“场域”关系,对史前时期、古代文明社会与现代文明社会三个阶段泥泥狗功用的比照,阐释泥泥狗“纪念碑性”从显性至隐性再到消解的流传与嬗变。 Mud mud dog is too Hao, Henan Huaiyang “people ancestral temple ” on the long-standing black painted clay sculpture, its shape, color, decoration bearing the original ancestors worship, ancestor worship and reproduction of many of the characteristics of worship, With reminders, warnings, etc. “Monumentality ” function. Through the analysis of the “field” relation between Taoluoling, the ancestral temple fair and the clay mud dog, this paper explains the function of mud mud dog in the three stages of the prehistoric period, the ancient civilized society and the modern civilized society, Monumental Sex "from the dominant to implicit to digestion spread and evolution.