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余华是当代影响深远的作家之一,他对于同时代的作家而言,作品产量不算很高,但其作品具有很高的研究价值。其中最具代表性的莫过于他创作的《许三观卖血记》和《活着》,在这两篇作品中塑造了两个经典的父亲形象——福贵和许三观。纵观余华的小说,从成名作《十八岁出门远行》到最新小说《第七天》,各种类型的父亲形象频繁地出现在其作品中,有缺席的父亲山岗山峰、扭曲的父亲孙福、无赖的父亲孙光林以及温情的父亲福贵和许三观。其中福贵和许三观是余华第一次给读者呈现出乐观、顽强且温情的父亲形象,这一形象的出现代表这余华从先锋小说进入到民间小说的创作阶段,意味着身为人父的余华重新开始打量人性,从而成就了《活着》和《许三观卖血记》,更奠定了余华自己在当代文学史上的地位。
Yu Hua is one of the most influential writers in the modern era. His output is not very high for contemporary writers, but his works have high research value. One of the most representative of his creation of “Xu San concept of selling blood” and “alive”, in these two works created two classic father image - Fugui and Xu San concept. Throughout Yu Hua’s novels, from the fame of 18-year-old to the seventh day of the latest novel, various types of father’s images appear frequently in his works, with absent father hills and peaks distorted Sun Fu, father of rogue, Sun Guanglin, the father of the ruthless, and Fu San, the father of the warmhearted. Among them, Fu Gui and Xu San Guan are the first images of Yu’s optimistic, indomitable and warm-hearted father. The emergence of this image represents that Yu Hua’s entry into the creation stage of folk novels from the avant-garde novels means that as a father Yu Hua began to look again at human nature, thus achieving “Alive” and “Xu Sanguan Selling Blood”, and laid Yu Hua himself in the history of contemporary literature.