一、笔墨精神略述笔墨在一般人的语言文字中只是一种书写工具,但在中国绘画和中国绘画理论中,笔墨则是中国画的主要造型手段和表现手段。作为中国画的造型手段和表现手段,笔墨不宜分开来理解。正如清代笪重光在《画筌》中说:“墨以笔为筋骨,笔以墨为精英”;而潘天寿先生在《听天阁画谈随笔》中说得更具体:“笔不能离墨,离墨则无笔。墨不能离笔,离笔则无墨。固笔在才能墨在,墨在才能笔在。盖笔墨两者,相依则为用,相离则俱毁”。意思是说笔与墨是互补的,是对立而统一的。就看画者如何能使笔墨的互补互用发 First, the pen and ink spirit outlined Pen and ink in ordinary people’s language and writing is just a writing tool, but in Chinese painting and Chinese painting theory, pen and ink is the main styling means and performance means of Chinese painting. As a modeling method and expression means of Chinese painting, the brush and ink should not be understood separately. Just as the Qing Dynasty said in the “Paintings”: “Ink is the pen and the ink is the elite”; and Mr. Pan Tianshou is more specific in “Drawing Heaven on the Heavenly Pavilion” Pen can not leave the ink, there is no ink from the ink. Ink can not leave the pen, from the pen is no ink. Solid pen to ink in, ink in order to pen. ". Means that the pen and ink are complementary, is the opposite and unified. To see how the artist can make the complementary use of ink and wash hair