如果一个已有经典作品的导演没有拍戏蛰伏超过十年,若他重出江湖,你会有什么期待?谭家明拍《夜宴》?李志毅拍《咒怨》?人的记忆是很有趣的,当你对某些熟悉的导演存在着某种成见时,当他们复出的时候,你的心情就比他们更复杂:“不要拆自己的招牌嘛!”“不甘寂寞?”放映后的耳语就更难听:“都说不要拍这类型啦!”“镜头调度无进步……”我不知道其他人怎样看,我看张之亮不是那种为了生活而自阉的导演。自《中国最后一个太监》开始,我对张之亮每一部作品都有一种希冀,因为他一直在变。总好过你看周星驰,估到下一部电影会如何调戏女星。 If a director of a classic has no filming dormant for more than a decade, what would you expect if he returned to filming? Tan Chia-ming’s “Banquet”? Li Zhiyi’s “Grudge” memory is very interesting when you When some familiar directors have some preconceptions, when they come back, your mood is more complicated than them: “Do not dismantle their own signs!” “Do not be lonely?” The whispers after the show even more difficult to hear: “ Say that do not shoot this type of it! ”“ No progress in the lens scheduling ...... ”I do not know what other people think, I see Zhang Zhiliang is not the kind of self-eunuch director for life. Since the “Last Eunuch of China,” I have had every hope of Zhang Zhiliang’s work because he has been changing. Better than you look at Stephen Chow, estimated how the next film will be acting alchemy actress.