剧作家中有谁不熟悉他第一次到剧院去的那种感情呢。不管这是第一个戏,还是第二个戏,还是第三个戏——每一次,当你跨进剧院的门槛,心儿就会紧张起来,不知道你将要碰到什麽,不知道人们将怎样对待你经过长久构思的作品,不知道人们将怎样来理解剧中人物,他们对於观众,是否也像对於你一样的亲切,还是他们所有的思想和幻想,都留下在那个薄薄的稿夹子里了……如果不是叶尔莫洛娃剧院感觉到了阿·苏洛夫的第一个戏“远离斯大林格勒的地方”中的全部深刻的真理,那末阿·苏洛夫是否能有作为一个剧作家而成长起来的命运,就很难说了。作家在导演们、演员们和剧院文学处的工作人员们的脸上,遇到了最最温暖的关 Who is not familiar with the playwright he went to the theater that feeling it. Whether this is the first play, the second play, or the third play - every time you step into the theater, your heart starts to get nervous, you do not know what you’re going to do, you do not know people How to treat your long-conceived work, not knowing how people will understand the characters in the show, whether they are as friendly to the audience as you, or all their thoughts and fantasies, are left in the meager “If not all of the profound truths of Al Surlov’s first play,” A place away from Stalingrad ", were felt by the Ermolova Theater, is it possible for Al Surlov to It is difficult to say the fate of growing up as a playwright. The writer met the warmest customs on the faces of the directors, actors and theater staff