五、刘一闻我曾在一位朋友所藏的一本《全国第一届篆刻展览作品集》中写过这样几句话,“向来通才多而练才少,某某处处留刀,犹疑不决,不练,刘一闻算得上是练的。”事隔几年,刘一闻没有让我失望,现在他的作品与那时相较显得更练了。什么是“练”不大发好界定,我觉得首先就应该是纯净的。执着于一种风格,寄托着明确的审美理想,略不驳杂旁鹜、朝秦暮楚。进一步是不能生吞活剥吃现成饭,而是把外来的素材经过自己心匠的锤击,泯灭辙迹,刊落傍依,现露真身。刘一闻经过了息心静气的琢磨,大体通过了这两个层次的炼狱,形成了清灵隽雅的印风,他的入印文字经 Five, Liu I smell I had a friend of the possession of a “National First Carving Exhibition Collection,” wrote such a few words, “has always been more and practicing less general, so and so everywhere knife, hesitate not The decision, not practice, Liu Yimin regarded as practicing. ”“ In a matter of years, Liu Wen did not let me down, and now his work is more practiced compared with that time. What is ”training " is not a good definition, I think the first should be pure. Perseverance in a style, pinned on a clear aesthetic ideal, a slight disagreement aside, beside the clock. Further, we can not afford to live and eat peeled ready-made meals. Instead, we bring foreign material through hammering by our own heart-beating carcasses to eliminate the rut. Liu Yiwen after a calm breath of pondering, generally through the purgatory of these two levels, forming Qing Jun Jun Ya Yin style, his text into the scriptures