抗战影视剧数量越来越多,但同质化倾向明显,甚至出现严重的失真现象。《战长沙》的出现为抗战剧作的发展提供了新的方向。它以别样的切入视角,从胡姓一家的起伏侧面反映了战争的残酷。在人物塑造上,不再是“高、大、全”式的脸谱化人物形象,更多地体现了人物的复杂性和多变性。在语言、场景及情节设置上也更加贴近现实,是体现我国抗战影视剧作突破与创新的重要作品。 Anti-Japanese war drama more and more, but the obvious homogeneity, or even serious distortion. The emergence of “War Changsha” provides a new direction for the development of anti-Japanese dramas. With a different perspective, it reflects the cruelty of the war from the ups and downs of the Hu family. In the figure building, it is no longer the “tall, big, all” style facial figure, more reflects the complexity and variability of the characters. In the language, scenes and plots are also set closer to reality, is the embodiment of China’s war film and television drama breakthrough and innovation of important works.