在当代文化背景下进行传统雕塑形式的现实主义创作是否还能有所作为?这是我在毕业创作时自问的一个问题。 拖着装有上百公斤陶土、行李的折叠车,带着对问题的思考,我开始了我的乡村调查。在水泗乡的数月间,我日复一日地用陶土塑造记录着乡长、村长、党委书记、会计、妇联主任、修鞋匠、小店老板、玻璃艺人、赤脚医生及淘藕和撑船的农民,原先的意图由模糊变得清晰起 Can we still make some contribution to the realistic sculpture in the form of traditional sculpture under the contemporary cultural background? This is a question I asked myself when I graduated. Dragged with a folding car loaded with hundreds of kilograms of clay, luggage, with questions on the issue, I started my village survey. In the months of Shui Township, I used day and day modeling of village chiefs, village chiefs, party secretaries, accountants, chiefs of women’s federations, shoe-shiners, shopkeepers, glass artists, barefoot doctors, Pursuit peasants, the original intention to become clear from the fuzzy