更爱用镜头记录和追忆那种冲动过后得不偿失的青涩男人味。一部《朋友》成就了“花美男”张东健的转型,也树立了导演郭景泽“用电影还原真我”的影像坐标。请不要随意忽视这个敦厚又细腻的老男孩。迎着新世纪韩国电影复兴的曙光,他 More love to use the lens to record and recall the kind of impulsive loss after the loss of the greenish man taste. A “friend” achievements “flower beauty ” Zhang Dongjian’s transformation, but also set the director Guo Jingze “use the movie to restore true I ” image coordinates. Please do not ignore this thick and delicate old boy. Greeting the dawn of the revival of South Korean cinema in the new century, he