莫言从创作初期就致力于民间写作,不管是他的写作视角、立场,还是他所运用的语言,以及他那来自于民间大地的奇特瑰丽的想象力,从来都没有脱离民间文化形态。他的作品是民间生活浮世绘,充满了民间趣味,符合民间审美价值尺度。以他的《学习蒲松龄》短片小说集为例,我们可以清晰的看到作者在这部著作中所流露出来的民间视角、民间语言、民间想象等民间性元素。 Mo Yan devoted himself to folk writing from the very beginning of his creation. No matter his writing angle or position, or his language, and his magnificent and magnificent imagination from the folk land, he never deviated from folk culture. His works are ukiyo-e in folk life, full of folk taste and accord with the standard of folk aesthetic value. Taking his short book “Learning Pu Songling” as an example, we can clearly see the folk elements such as folk angle, folk language and folk imagination that the author reveals in this book.