基于作者长期田野考察与学者研究资料的对比,文章铺陈易被忽略的细腻的现时调研文本,针对聂家庄泥塑核心品种、程式化泥老虎的形式和工艺的意义、图像与工艺之间逻辑关联性等非物质文化遗产本体核心问题,尝试以跨学科的社会人类学视野,用历时性结构理论做出新阐释。 Based on the contrast between the author’s long-term fieldwork and scholars’ research data, this article presents a delicate and easily neglected survey text. According to the core of Niejiazhuang clay molds, the significance of the format and process of the stylized mud tiger, and the logical relationship between the image and the process Sexuality and other intangible cultural heritage ontology core issues, try to interdisciplinary perspective of social anthropology, diachronic structure theory to make new explanations.