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坐在我面前的这位年轻人,如此文静、腼腆,一双富于幻想的眼睛凝视着前上方,似乎正在捕捉灵感,构思着一个新颖美妙的乐句。他具有一种深沉蕴藉的气质,一种善于思考的习惯。当谈到一九八二年他年仅二十三岁就荣获美国齐尔品协会(Tcherepnin Society)作曲一等奖的往事时,他虽然脸上露出了笑容,但是,显然也出现了不安兴谦逊的神情。这位青年,是上海音乐学院的作曲家、作曲系教师许舒亚。他一九五九年春出生在东北长春。也许从孩提时期他就经历着时代的动荡,从而很自然地养成了思考、分析和探求人生真谛的习惯。这位由攻小提琴开始闯进音乐的殿堂,后来转入作曲专业的青年是在「大跃进」后的日子里出生的。六十年代「十年浩劫」时期,许舒
The young man sitting in front of me, so quiet, shy, a pair of illusory eyes staring at the top of the front, seems to be capturing inspiration, conceived a wonderful new phrase. He has a profound implication of temperament, a good habit of thinking. When he spoke of the first prize of the Tcherepnin Society in 1984 when he was only twenty-three years old in 1982, although he had a smile on his face, apparently he was also uneasy Humble expression. The young man is a composer at the Shanghai Conservatory of Music and composer Xu Shuya. He was born in the spring of 1959 in Changchun in the northeast. Perhaps as a child, he experienced the turmoil of the times and naturally developed the habit of thinking, analyzing and exploring the true meaning of life. The violin began to break into the hall of music, and later transferred to composer youth was born in the days after the “Great Leap Forward.” In the sixties “ten years catastrophe” period, Xu Shu