长安画派是西北文化的一面旗帜,但其代表画家却大多不是西北人。上世纪40至60年代,这些画家从四面八方聚集到西北地区,被当地厚重的历史、粗犷的文化、淳朴的民风所感染,开始创作以西北风物为题材的绘画作品。他们的到来改变了西北地区无画派的历史,将辽阔的黄土高原刻在了中国美术史的画卷上。其中影响最大的三个人,即赵望云、石鲁、何海霞,被称为“长安三杰”。“平民画家”赵望云提起长安画派,人们首先想到的 Chang’an Painting School is a banner of Northwest culture, but most of its representatives are not natives of the Northwest. From the 40s to the 60s of last century, these painters gathered from all directions to the northwest and were infiltrated by the thick history, rugged culture and honest folkways in the area, and began to create paintings based on the northwestern scenery. Their arrival changed the history of non-painting school in northwest China and engraved the vast loess plateau on the picture of Chinese art history. The three of the most influential people, namely Zhao Wangyun, Shi Lu and He Haixia, were called “Changan Sanjie”. “Civilian painter ” Zhao Wang Yun brought Chang’an school of painting, people first thought of