李泽厚曾说:艺术并非私人心理,它是公众的游戏,游戏虽无规律,却有参加者必须遵守的规则。而笔者认为,这种规则既然是公众的游戏规则,则是与艺术家生活的时代和那个时代所具有的文化精神紧密相连。在当代,花鸟画不再以适应社会最高阶层的审美需要为旨趣,而是以当代中国人的人生体验与精神生活为源泉,以达到满足普通人抒情娱性为目的的艺术创造。水墨工笔花鸟形态的审美复苏,正是工笔花鸟画在“当代化”过程的具体体现。水墨工笔花鸟形态是依靠水墨绘画语言的象征性符号和绘画语言所具有的特殊表现形式,在时代的要求下,所建立起来的新型的“当代水墨工笔花鸟形态”。水墨工笔花鸟形态的艺术语言与其它艺术形态语言一样,是艺术家为了表达 Li Zehou once said: Art is not a private psychology. It is a public game. Although the game is irregular, there are rules that participants must abide by. The author believes that since the rule of the game is a public game rules, it is closely linked with the artist’s life and the cultural spirit of that era. In contemporary times, flower and bird paintings no longer serve the aesthetic needs of the highest class in society. Instead, they aim to satisfy the ordinary people’s desire to express their emotions with the artistic experience created by the experience and spiritual life of contemporary Chinese people. The aesthetic recovery of ink and wash birds and flowers is the concrete manifestation of the “contemporary” process of fine brushwork and bird painting. Ink and Wash Painting and Calligraphy Birds and birds form a new type of “contemporary ink and brush painting” based on the symbolic symbols of the ink painting language and the special expressions of the painting language. The Art of Ink and Wash Bird and Bird Like other forms of art, the language of art is an expression of the artist