20世纪80年代以来随着藏文化热在国内外的兴起,一批批内地艺术家们纷纷走向青藏高原。他们渴望从博大深厚的藏族传统艺术中寻找到他们创作的激情和灵感。与此同时,一批年轻的藏族画家也迅速崛起。他们一方面继承了藏族传统绘画技法,另一方面又不满足传统绘画的默守陈规和对个性的压抑。在这批艺 Since the 1980s, with the rise of Tibetan culture at home and abroad, a batch of mainland artists have successively moved toward the Qinghai-Tibet Plateau. They are eager to find the passion and inspiration of their creation from broad and profound Tibetan traditional arts. In the meantime, a group of young Tibetan painters have also risen rapidly. On the one hand, they inherit Tibetan traditional techniques of painting while on the other hand, they do not satisfy the traditional rules of detention and repression of individuality. In this art