练习曲对于任何一个从事器乐演奏专业的人来说都是一条必经之路,钢琴演奏者就更不例外了。自键盘乐器诞生以来,各种各样的练习曲就应运而生。随着300余年的钢琴艺术发展道路,练习曲也经历了一个漫长的演变过程。从克莱门蒂到车尔尼,从肖邦到普罗科菲耶夫,直至当代作曲家利盖蒂,钢琴练习曲见证了整个钢琴艺术的历史。(本文所研究的练习曲并不包括如勃拉姆斯、飞利浦、哈农等作曲家为钢琴而作的单纯技术上的“钢琴手指练习”。) Etudes are a must for anyone who performs instrumental music, and the pianist is no exception. Since the keyboard instrument was born, a variety of Etude came into being. With more than 300 years of piano art development, the Etude has undergone a long evolution. From Clementine to Cherni, from Chopin to Prokofiev, until the contemporary composer Ligeti, the Piano Etude saw the entire history of piano art. (The Etude studied in this article does not include purely technical “Piano Finger Practice” for composers such as Brahms, Philips, and Hayon.)