藤岛武二长期在上野的东京美术学校任教授。据在藤岛教室里学习的人们传说:藤岛先生用大手拿着学生的调色板。把那杂乱的画面和不着边际的色调.一一改正。先生改画时.堆在调色板上的颜料.经常被用光.因此.颜料要准备充足。另外.他不拘泥于细小部分。毫不介意地把学生的画完全打乱,“使得我们在后边看着的人非常担心”。管你足用颜料画的还是用炭捧画的.他都不以为然地将学生那些乱七八糟的画面,用基本的 Fujishima Takeshi long Ueno Tokyo art school as professor. According to people who learned in Fujishima’s classroom, Mr. Fujimaguchi held the student’s palette in big hands. The messy picture and the impromptu tone. When he remodeled, the pigment heap on the palette was often used up, so the pigment was well prepared. In addition, he does not stick to the small part. Carelessly disrupted the drawing of the student, “People who are behind us are very worried.” If you paint with paint or paint with charcoal, he will disagree with the students messy picture, with the basic