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在我们的记忆中,形容“上世纪70年代”作家的大多是这样一些词汇:绝望、颓废、疯狂、性……而魏微与这些词汇毫无瓜葛;在我们的印象中,代表“70年代”女作家的总是这样一些评语:自恋的语调,张扬的风格,光怪陆离的生活场景,而魏微与这些评语格格不入。是的,与时下那些夸张、时髦、性感的美女作家的时尚叙事相比,魏微的小说实在有些落伍甚至黯淡:不搞怪,不出位,不颓败,不矫饰,自然也就无法受到狂热的追捧,无从引起轰动效应。相反,她总是沉浸在自己诗意的叙事氛围里,以细腻、敏锐、充满质感的笔触,表达温暖、感伤而又有些失落、惆怅的怀旧情绪。曾有评
In our memory, most of the writers who describe “writers in the 1970s” are such terms as despair, decadence, madness, sex ... and Wei Wei has nothing to do with these terms; in our impression, the term “ ”70 ’" women writers always comment like these: narcissism, publicity style, bizarre scenes of life, and Wei Wei is incompatible with these comments. Yes, compared with the fashionable narration of the exaggerated, fashionable and sexy beauty writers nowadays, Wei Wei’s novels are outdated or even bleak: they are outdated, unscrupulous, unscrupulous, and unscrupulous, naturally they can not be fanatical Sought after, can not have caused a sensational effect. Instead, she is always immersed in her poetic narrative atmosphere, expressing warm, sentimental and somewhat lost, melancholy nostalgia with delicate, sharp and full of texture. Have comment